Showing posts with label Godfather. Show all posts
Showing posts with label Godfather. Show all posts

Saturday, August 3, 2024

Season 3, episode 5;Host:Ray Charles, with Franklin Ajaye

Aired November 12, 1977.

Cold opening:"Godfather on NBC"
Don Vito Corleone is angry that NBC is showing The Godfather on network TV. Vito says the movie is too violent for television, plus it makes the Don and his family look bad. He asks his consigliere Tom Hagen (Bill Murray) if there's anything they can do to keep NBC from airing parts 2 and 3 of the film. 


Hagen says they have no "legal recourse" and that NBC is also planning two TV series based on The Godfather. The Don tells Tom to "go to NBC in Hollywood, take Clamenza with you. I want Grizzly Adams to wake up with a bear’s head on his pillow. That’ll take care of it." 

When Hagen asks if Vito wants to hit Saturday Night, the Don say no, since it's his grandchildren's favorite show.  The Godfather adds "and there’s not enough good satire on TV these days. Besides.. I love it when they say, “Live, from New York, it’s Saturday Night!” And the opening credits roll.

Monologue:"I Can See Clearly Now"
Host Ray Charles says he rejected initial offers to host SNL, until he told them his demands. He asked to bring his own musicians and for the episode to be broadcast from Carnegie Hall.

Ray says the joke is on them, because he's not the real Ray Charles. He says that if "the real Ray Charles" was there, he would play like this, and he begins singing "I Can See Clearly Now." The song was written by Johnny Nash, whose version was released on June 23, 1972 and peaked at #18 on Billboard's Hot 100.

Charles' recording of "I Can See Clearly Now" appeared on his 1977 album True To Life. It reached #35 on the R&B chart.

Ray says his hometown Albany, Georgia is located right next to Plains, GA, hometown of President Jimmy Carter. Charles informs viewers that at one time, Carter's family owned his grandfather.


Charles then sings the first few lines of "Georgia On My Mind" and dedicates it to the President.

The song was written and recorded by Hoagy Carmichael and Stuart Gorrell. Charles version of "Georgia" reached #1 on the Hot 100 and it was included on his album The Genius Hits The Road. "Georgia On My Mind" leads directly into the next sketch.

"Pres. Carter's Energy Plan"

Pres. Carter (Dan Aykroyd) says that because the American public has failed to understand the depth of the Energy Crisis and since the Senate blocked his energy bill the economy will tank and will probably not be reelected. 

"Ella Fitzgerald for Mamorex"
Charles introduces Ella Fitzgerald (Garrett Morris) to demonstrate the audio quality of Mamorex tapes. 


Ella performs some scat singing, which shatters a glass. Ray talks about the sound quality of Mamorex tapes and how it's impossible to tell if a song is live or a recording.


When they play the Mamorex tape of Ella's vocals, it shatters Ray's glasses!


"The Doody Girls"
Debbie (Gilda Radner) and Dotty Doody (Larane Newman), respectively the wife and sister of the late Howdy Doody, discuss Howdy's recent death. Dotty tells Debbie that it's time to stop mourning and start dating again.

Talk show:"Tomorrow Show with Tom Snyder"
Tom Snyder (Aykroyd) interviews the R&B legend.

Charles tells Snyder that his blindness has enhanced his sense of smell. He's able to identify Snyder's brand of cologne and says Tom has been wearing the same socks for three days.

"The Young Caucasians"
In 1957, Ray Charles' manager Mr. DeWitt (Morris) tells Ray that a White group called the Young Caucasians (Aykroyd, Belushi, Curtin, Murray, Newman and Radner) will be recording his song "What'd I Say" so that it can be played on White radio stations in the South. The Caucasians arrive and sing the song. 

Charles says he prefers his own version and performs it.

"What'd I Say" was written and recorded by Charles in 1959. It was released as a single in June of that year and reached #6 on the Hot 100 and #1 on the R&B chart. 

"Weekend Update"
Anchors Jane Curtin and Dan Aykroyd report on the top news stories of the day.


A statue of Benjamin Franklin was rushed to the hospital in what appeared to be a case of Legionnaires' disease. A later diagnosis revealed the statue was "just stoned."     


Update film critic Bill Murray pans the new movie Close Encounters of the Third Kind
Murry slams a Time magazine review for revealing the film's ending. Murray proceeds to spoil even more of Close Encounters.


Jane and Dan receive a late-breaking bulletin from NBC's Dancing N. It turns out the "bulletin" was just a note from Jane to Dan, which says:To hell with the bulletin, will you dance with me?


Dan indulges Jane and they dance with the N.


"Ray Charles' Medley Of Hits"
Ray introduces his old band, who he hasn't played with in more than a decade. 


They join Charles in performing a medley of the following songs:

"I Got A Woman" was written by Ray Charles and Renald Richard. It was released in December 1954 and reached #1 on the Rhythm and Blues chart.

“I Believe in My Soul” was written by Charles and was released as the B-side of "I'm Moving On in 1959. 

"Them That Got" was written by Charles and Ricci Harper reaching #58 on the Hot 100 and #10 on the R&B chart.

“Hit The Road Jack” was written by Percy Mayfield. Charles' recording of the song topped the Billboard Hot 100 and R&B charts in 1961. It also reached #1 in Sweden and New Zealand.

Charles closes the set by performing a sax solo. 

"Franklin Ajaye"
Comedian Franklin Ajaye talks about Star Trek and performs impressions of several of the characters from the show. 

Commercial:"Evelyn Woodski Slow Reading Course"
Written by Al Franken and Tom Davis.
The Evelyn Woodski Slow Reading Course teaches readers to read more slowly, which enables readers increase their enjoyment of reading and improve their comprehension.

Several users of the Woodski method endorse its effectiveness.


Ray Charles endorses Woodski's "Slow Reading Course For Braille."

The host says he "used to get blisters on my fingers. Now I just sit  back and enjoy." 

"Blackout"
In a voice-over, Charles says "I love New York, everything about it — even Con Edison, the electric company." He adds that during the previous summer, ConEd came to his rescue.

The sketch cuts to Ray sitting by himself in a hotel room. There's a knock on the door for room service, but it's really two robbers (Aykroyd and Morris) who intend to steal from Ray. 


They start tying Ray up, when suddenly, a blackout hits New York! 


When Charles realizes the thieves can't see, he uses it to his advantage and turns the tables on them.

"Next week"
Frequent Saturday Night host Buck Henry appears onstage. He says when hosts next week, he'll be joined by the five finalists of SNL's "Anyone Can Host" contest. Henry tells viewers We’ve read 150,000 postcards from you, and, believe me…America’s in a lot of trouble.


Ray Charles:"Oh, What A Beautiful Mornin'" 
The host performs "Oh, What A Beautiful Mornin.'" It was written by Richard Rodgers and Oscar Hammerstein in 1943 for their musical Oklahoma. Charles' recording of the song appeared on True To Life.

"I Can't Stop Loving You"
The Not Ready For Prime Time Players appear on stage with Charles. He plays piano while they sing "I Can't Stop Loving You" . 


John Belushi imitates Charles on the song's first verse, while the rest of the cast performs backup vocals. 

Ray then takes over lead vocals for the next verse. This song  was written and recorded by Don Gibson in 1957. Charles recorded "I Can't Stop Loving You" for his 1962 album Modern Sounds in Country and Western Music. It was released as a single and topped the Hot 100 as well as the Adult Contemporary and R&B charts.

"Mr. Mike's painting"
Mr. Mike (Michael O'Donoghue) joins Ray and the cast and says he's got a surprise for them. Mr. Mike says they've kidded Ray a lot about his blindness and that Charles has been a "good sport" about it, "but blindness is nothing to kid about." To honor "the courageous example" set by Charles, Saturday Night has purchased a 1909 Claude Monet painting. It will be donated to the Lighthouse of the Blind "in hopes that one day, all will see it."


Mr. Mike then unveils the painting:

Goodnights:
Charles, surrounded by the cast, says he's been told the show has "a whole minute left, which is unusual." Ray says “thank you and goodnight” and closes the show by improvising a song built around the phrase "On a Saturday night." 

Notes about this episode:
John Belushi briefly interacts with Ray Charles and performs a brief impression of the singer. It's worth noting that Charles later worked with Belushi and Dan Aykroyd when he appeared in The Blues Brothers movie in 1980.

The "Mamorex" bit is a parody of Memorex Cassette Tape commercials that aired in the 1970s. These Memorex spots featured Ella Fitzgerald shattering a glass, both live and on a Memorex recording. Here's an example of one of those ads:

"Evelyn Woodski's Slow Reading Course" is a takeoff on Evelyn Wood's speedreading course. Wood's courses were featured in commercials like this one:

Ephemera:
Here's a TV Guide ad for this episode:

    
What stands out:
Ray Charles' music-Charles was one of the most important artists in the history of popular music. His performances here are excellent. While the late-70s was not the strongest era of Charles' career, it's great that this episode documents this moment for him and his great backing band. 

"Tomorrow Show with Tom Snyder"-Unlike every other SNL host prior to this episode, Ray Charles was blind and (obviously) couldn't rely on cue cards. So it's impressive to watch him deliver so much dialogue and hold his own in a sketch with a gifted performer like Dan Aykroyd. 


"The Doody Girls"
Laraine Newman and Gilda Radner are brilliant here playing marionettes. They gives us a great exhibition of physical comedy. 

What doesn't work:
As much as I enjoy Ray Charles' music, this episode features a little too much music. I would've liked at least one more sketch and one less song.

"The Young Caucasians"-This wasn't bad, just a bit too long. I think the group could've stopped after the first verse of "What'd I Say," we didn't need to hear multiple verses of their rendition of the song.

Bonus:
Here are bumper photos from this episode, captured from the 1980s VHS release:






J.A. Morris' rating:
This is a good episode that features some great performances by Ray Charles and some solid sketches. But if you're not a Ray Charles fan, you won't enjoy it as much as I did.









3 stars.

Thursday, April 5, 2018

Season 1, Episode 9; Host:Elliott Gould, with Anne Murray


Aired January 10, 1976.

Cold opening:"The Dead String Quartet"
Written by Chevy Chase.
Members of the Dead String Quartet fall and knock each other down like dominoes.


The quartet's cellist (Chevy Chase) falls off the stage, turns to the camera and announces "Live, from New York, it's Saturday Night!"


Monologue:
Host Elliott Gould dances and sings the songs "Let Yourself Go," which was written by Irving Berlin for the 1936 movie Follow The Fleet and  "Crazy Rhythm," which was composed by Irving Caesar with music by Joseph Meyer and Roger Wolfe Kahn for the Broadway musical Here's Howe.  SNL pianist Paul Shaffer serves as Gould's accompanist.  


Gilda & Elliott #1:
Gilda Radner joins Gould on stage and thanks him for a wonderful evening the night before.  When he says he's flying back to Hollywood after the show, she's disappointed.


Commercial:"Try Hard 1-11"
Repeat from Episode 2.

"Interior Demolitionists":
Two men (Gould and Chase) arrive at a house and start destroying everything they see.


"Godfather Group Therapy":
Written by Michael O'Donoghue, Chevy Chase and Lorne Michaels.
Don Vito Corleone (John Belushi) tells his therapy group about the troubles the Tataglia crime family is causing for him. Another member of the group, a stewardess named Sherry (Laraine Newman), thinks Vito is "blocking" and isn't telling them his true feelings.


Commercial:"New Shimmer"
An ad for a new dessert topping that's also a floor wax!


Film by Gary Weis:"Misty"
A montage of many different piano players playing and singing the song "Misty," written by Errol Gardner and Johnny Burke. "Misty" was made famous by Johnny Mathis, when Mathis' 1959 recording of the song reached #12 on the Billboard Hot 100.  


Gilda & Elliott #2:
Radner tells the host she meant "everything she said last night" and wants to know if he meant everything he said.


Anne Murray:"The Call"
Musical Guest Anne Murray performs "The Call," which was released on her 1975 album Together.  This song peaked at #6 on Billboard's Adult Contemporary chart in 1976.


"Weekend Update":
Chevy Chase's top story:While campaigning in New Hampshire, "Pres. Ford threw a baby and kissed a snowball."


Plus, Laraine Newman reports live from Cape Canaveral about NASA's plans to dispose of toxic waste by launching it into space.


Commercial:"Jamitol"
Repeat from Episode 1.

"Killer Bees":
Written by Chevy Chase and Lorne Michaels.
A group of Killer Bees (Gould, Belushi, Garrett Morris, Dan Aykroyd)  invade a home and demand pollen.  In the middle of the sketch, director Dave Wilson passes out in the control room, which messes up the sketch and causes the actors to break character.


Gilda & Elliott #3:
Radner introduces Gould to her mother (Paula Kahn), who tells Gould "from what Gilda says, we should be seeing a lot of each other!"


Film by Albert Brooks:"National Audience Research Institute"
Brooks visits a research facility that studies what audiences want because he's "willing to change in any direction" to please audiences.


"Land of Gorch, featuring Jim Henson's Muppets":
Peuta (Alice Tweedie) tells Scred (Jerry Nelson) she will end their affair, unless Scred tells her husband King Ploobis (Jim Henson) about them.


Talk show:"Birthright"
Jane Curtin interviews two doctors (Aykroyd and Gould) who have different approaches to delivering babies.


Anne Murray:"Blue Finger Lou"
Murray sings "Blue Finger Lou," another song from Together.  This song was written by Alan O'Day.  


"Al Franken & Tom Davis":
The comedy duo performs a sketch that imagines what the United States would be like if American Indians ran this country.


Goodnights:
Gould and the cast gather at home base, where Radner and the host are married! 


Notes about this episode:
Lorne Michaels was disappointed in the previous episode (Candice Bergen's Christmas show) and went into a "tailspin."  In order to ensure the Gould show would be better, he brought Chevy Chase and head writer Michael O'Donoghue to the offices over the holidays to write this most of this episode.[1]

This episode was submitted to Emmy awards voters in the category Outstanding Writing in a Comedy-Variety or Music Series.  It won the Emmy, beating out The Carol Burnett Show and The Sonny And Cher Show.

James L. Brooks (who has produced series and films, including Mary Tyler MooreThe Simpsons, Terms Of Endearment and As Good As It Gets) appears in Albert Brooks' film.  The two Brookses (who aren't related) would work together again a decade later when James L. directed Albert in the film Broadcast News.


Gilda's mother is played by Paula Kahn, the mother of actress Madeline Kahn.

Classic Moments:
"Godfather Group Therapy"-John Belushi's impression of Vito Corleone is brilliant and Laraine Newman is hilarious as Sherry the stewardess.  This sketch has been included in several of "Best Of SNL" compilations over the years and rightly so.


"Killer Bees"-This great sketch features very funny speeches from Gould and Belushi and also includes the series' first onscreen appearance of Lorne Michaels.  Plus, the concept of men in bee suits demanding pollen accents is inherently hilarious.  


What stands out:
"Franken & Davis"-The debut of this comedy duo is funny and it makes good points about the treatment of American Indians that are (sadly) still relevant today.  In later seasons, their Franken and Davis Show segments would become a semi-regular feature on SNL.

What doesn't work:
Anne Murray-she has a great voice, but her songs were a bit too mellow and they took some the air out of an otherwise great episode.

J.A. Morris' rating:
This is another strong episode, the Not Ready For Prime Time Players and their writers were beginning to hit their stride at this point.







3 and a half stars.

Footnote:
[1] Live From New York, by James Andrew Miller and Tom Shales, p.65.