Showing posts with label SNL. Show all posts
Showing posts with label SNL. Show all posts

Wednesday, July 23, 2025

SNL at the Rock N Roll Hall Of Fame

I recently visited the Rock N Roll Hall Of Fame to check out their new exhibit SNL:Ladies & Gentleman...50 Years Of Music. Of course my project only covers the first five seasons here, so I was most excited about seeing what the exhibit had from that era. There was actually quite a bit from 1975-80. 

For instance, the Blues Brothers costumes worn by Jake (John Belushi) and Ellwood (Dan Aykroyd) in their Season 4 performance.

Bill Murray's "Nick Winters" costume from Season 3 is also on display.

Murray wore this when he sang "Star Wars" as Nick the lounge singer.

And Paul Shaffer's jacket from his time as SNL's piano player.

There's also a wall covered with SNL's bumper photos that feature musical guests. The photos change every few seconds. 

Some SNL bumper photos created buy Edie Baskin and Mary Ellen Matthews.

I was glad to see another wall that displayed Saturday Night Live's Season 4 logo, so I couldn't resist a photo in front of it.


Of course musical moments from later seasons are also spotlighted, such as "More Cowbell."

Will Ferrell's "More Cowbell" costume, photograph by John Kuntz of cleveland.com

If you're a hardcore SNL fan and you can get to Cleveland, this exhibit is worth your time. 

Check back tomorrow when I review Saturday Night's first episode of 1978.

Friday, September 15, 2023

Intermission #2:Wrapping up Season 2, putting Season 3 into context.


As I mentioned in the first intermission post, there was a lot of turmoil near the end of Season 1 that carried over into the beginning of the second season. In May of 1976, Chevy Chase told Lorne Michaels that he planned to leave the show. Chase returned for the beginning of Season 2 and fulfilled his contractual obligations. His last show as cast member was Episode 6. Bill Murray didn't join until Episode 11, so he wouldn't be seen as Chase's replacement. This meant the cast was shorthanded for several episodes. By the end of the season, Murray found his footing and solidified his place in the cast.

Unlike the transition between its first and second seasons, their would be no major changes in the cast or writer's room.

In between Seasons 2 and 3, the Not Ready For Prime Time Players began to receive more individual recognition. The magazine Crawdaddy, which usually focused on rock and pop music, featured a cover story on John Belushi in its June 1977 issue.

New Times, a bi-weekly news magazine, put Gilda Radner on the cover of their August 19 issue.


The 29th Primetime Emmy Awards ceremony was held on September 11, 1977 about two weeks before the premier of Season 3. Season 1 of Saturday Night received four Emmy nominations and won all four of them. Season 2 got seven total nominations in the following categories: 

Outstanding Comedy-Variety or Music Series.

Outstanding Continuing or Single Performance by a Supporting Actress in Variety or Music:
Gilda Radner.

Two nominations for Outstanding Supporting Actor in Comedy, Variety/Music Series:
John Belushi and Chevy Chase

Outstanding Directing in a Comedy-Variety or Music Series:
Dave Wilson, for directing Season 2, Episode 8, hosted by Paul Simon.

Two nominations for Outstanding Writing in a Comedy-Variety or Music Series:
For the episode hosted by Sissy Spacek and another episode hosted by Elliott Gould.

The episode hosted by Spacek won the Outstanding Writing Emmy, Saturday Night's only win that night. A far cry from the previous season's sweep, but winning Emmys in its first two seasons proved SNL was no flash in the pan. 

SNL's writers celebrate their 2nd Emmy win on September 11, 1977.

Perhaps more importantly, from the perspective of NBC's network executives, SNL's ratings kept improving. During Season 1, it averaged a 6.4 Nielsen rating. For 1976-77, the number rose to 7.9. During Season 3, Saturday Night averaged a 9.8 Nielsen rating. 

SNL's ratings increased every season. [1]

It was Season 3 when Saturday Night truly became a nationwide cultural phenomenon. Lots of new characters and recurring sketches debuted that season. Each introduced a new catchphrase:

John Belushi's "Weekend Update commentaries:"But NOOOOO!" 

Roseanne Roseannadanna:"It just goes to show you, it's always something."

The Olympia Cafe:" CHEEBURGER, CHEEBURGER CHEEBURGER!"

Lisa Loopner:"That's so funny, I forgot to laugh!"


The Festrunk Brothers:"We are, two wild and crazy guys!"

Dan Aykroyd and John Belushi also made their first TV appearance as the Blues Brothers during Season 3.

Steve Martin hosted three times during the 3rd season, which cemented him as the definitive host of the original cast era. In fact, Martin hosted so often that I still encounter people who think he was part of the cast. Martin's frequent appearances on SNL were mutually beneficial. His album Let's Get Small sold a million copies and reached #10 on Billboard's Hot 100. Episodes he hosted resulted in about a million extra households tuning in to Saturday Night.[2]

Buck Henry continued to host and became the first member of SNL's mythical "Five Timers Club."  Saturday Night Live also held its first (and so far, only) Anyone Can Host Contest, which allowed viewers to vote for their choice of a non-celebrity to host the 1977 Christmas episode. 

SNL's most frequent host Buck Henry, flanked by Anyone Can Host contestants.

Speaking of hosts, Chevy Chase returned to host during Season 3.

As Saturday Night grew in popularity, the press coverage increased. In December of Season 3, Gilda Radner was the subject of a People magazine cover story. 

The following April, Bill Murray was profiled in Rolling Stone, a publication that had been one of SNL's early champions going back to Season 1. 

Coverage in rock publications like Crawdaddy and Rolling Stone added a "coolness" factor that other movie and TV actors didn't have at the time. This elevated the Not Ready For Prime Time Players to the comedy equivalent of rock stars. 

In March of Season 3, the film American Hot Wax was released. The film's cast included Laraine Newman. 

Laraine Newman as "Teenage Louise" in American Hot Wax.

After being a "cult" show on the verge of cancellation in 1976, Saturday Night Live and its cast became part of the mainstream of American popular culture in '78. 

In addition to being SNL's most popular season (so far), Season 3 would be the final season that the entire cast saw the show as their primary creative outlet. By Season 4, movies and other side projects would take precedence for some of the cast.

Season 3 is also when I discovered Saturday Night Live. When I began this project, SNL's third season was easily my favorite. I enjoyed Season 2 more than I expected, so we'll see if I still feel the same after this look at the third season. 

Check back tomorrow for my annotated review of SNL's 3rd season premier. 

Sources:
TV Ratings Guide:Saturday Night Live Ratings 1975-2017.
Saturday Night, by Doug Hill and Jeff Weingrad, p223.

Sunday, September 3, 2023

What Stood Out and What Didn't Work in Season 2

 

I have finally finished reviewing and annotating the second season of Saturday Night Live. I want to thank everyone who reads these reviews and I'm sorry that I can't post here as often as I'd like. My day job takes up a lot of my energy and some of these reviews take a lot of time and research to compile. 


Since the reviews include sections about what stands out, what doesn't work, and classic moments (when they happen), I thought I would talk about the best and worst moments of the second season.



What stood out:
Surviving without Chevy Chase-The departure of Chevy Chase could've been the deathblow to a series that was already on the brink of cancellation. The cast, writers, crew and production staff weathered the storm and continued to produce strong episodes.

The emergence of writer Marilyn Suzanne Miller-I'm a big fan of Miller's work. During Season 2, she created several quieter "slice of life" sketches that gave the cast a chance to show off their acting skills. Miller also co-wrote several musical sketches. I particularly enjoyed "Video Vixens" and "Me," Laraine Newman's Barbra Streisand parody.


What didn't work-Too many mellow Adult Contemporary musical guests. I won't mention any names here, but there were far too many occasions where a soft ballad brought an energetic episode to a screeching halt. 

Too much Emily Litella-I like the character, but Emily Litella appeared too often during Season 2. She showed up in 10 episodes during the season, plus an appearance in the Mardi Gras special. In Episode 12, Gilda Radner played Emily in a sketch with Ruth Gordon, then later during "Weekend Update." I'm guessing the show wanted to lean on a popular character after Chase left, but it was too much.



Classic moments:

The debut of several recurring characters and sketches-Season 2 featured the first appearance the Coneheads, Nick the lounge singer and Leonard Pinth-Garnell's "Bad" sketches. They would all become SNL staples over the next three seasons.


That's all for now, below you'll find links to every Season 2 episode review:

Season 2, Episode 1; Host:Lily Tomlin with James Taylor






















Sunday, August 6, 2023

Season 2, Episode 21;Host:Shelly Duvall, with Joan Armatrading


 Aired May 14, 1977.

Cold opening:"Norton vs. Bobbick"
Host Shelley Duvall and John Belushi are standing on the homebase stage dressed as Bees. Producer Lorne Michaels shows up and tells them their Bee sketch has been cancelled. 

Since NBC paid an exorbitant amount to broadcast the recent boxing match between Ken Norton and Dwayne Bobbick, the network will need to replay the fight on all NBC shows for the next month.  So the bout is shown in place of the Bees.


The cameras then cut to backstage, where the boxing match is being shown on a monitor. Jane Curtin, Laraine Newman and Gilda Rader are seen fighting and insulting each other. They also direct insults at the host.

Duvall is taken aback and says she meets "a better class of people" while making movies. 

In the background, the fight continues on the monitor until Norton knocks out Bobbick. When the fight is over, Belushi appears on the monitor and announces "Live from New York, it's Saturday Night."


Monologue:"Video Vixens"
Written by Marilyn Suzanne Miller and Howard Shore.
In lieu of the normal monologue, Duvall and the women of SNL perform a new song called "Video Vixens."  


"Bank Heist"
A gang of criminals wearing ridiculous costumes holds up a bank and demands cash. Everything goes wrong for the robbers when no one is fooled by the leader's (Dan Aykroyd) "praying mantis" costume.  


Joan Armatrading:"Love and Affection"
Joan Armatrading performs "Love and Affection," which appeared on her self-titled 1976 album. This song was released as a single and reached #10 in the UK charts in November of '76 and has been covered by multiple artists.

"Continental Men"
Three women (Duvall, Radner, Newman) bemoan the fact that they never meet any "continental" men. This changes when they encounter Ricardo Montalban (Aykroyd), Fernando Lamas (Bill Murray) and Cesar Romero (Belushi). The men have one problem:None of them are sure which one is Ricardo, Fernando or Cesar!

"Weekend Update"
Jane Curtin reports on the day's top headlines, which include:
Fresh off his successful interview with former President Richard Nixon, David Frost announced plans to interview (deceased) Presidents Roosevelt, Truman, Eisenhower, Kennedy and Johnson.  Because "if people believe Nixon, they'll believe anything."   

A film expert claimed that comedian David Brenner's face can be found on Mount Rushmore.

In sports, golfer Jack Nicklaus won the third annual Quaker Oats Invitational.  


Curtin phones Emily Litella when Emily fails to show up to deliver her commentary. Litella's outgoing message tells Jane to "leave a message at the sound of the jeep."

PSA:"Black Educational Conference"
Boxer Duane Bobbick (voice of Tom Davis) narrates this PSA and says that Black men become boxers because environmental and societal conditions leave them no other path to success. The Black Educational Conference has "shown thousands of Black men that they do not have to resort to violence to prove their masculinity."

"Viva Las Vegas II"
In this "sequel," Elvis Presley (Belushi) plays a busboy who dreams of becoming a Shakespearean actor. After playing a scene from Hamlet, Elvis sings "Jailhouse Rock."  


"Jailhouse Rock" was released September 24, 1957. It reached #1 on the Billboard Hot 100 as well as the Country and Western and R&B charts. 

Talk show:"Baba Wawa At Large"
Baba (Radner) interviews actor Richard Burton (Murray) about his recent divorce with Elizabeth Taylor. At one point, Burton uses his real voice, which he describes as a "Great Lakes/Midwestern" accent. 

Home Movie:"Brides"
Filmmaker Sharon Sacks explores different wedding customs and poses the question:"why are men afraid of brides?" During the film, several brides sing "You Made Me Love You (You Didn't Have To Do It)."  


The song was composed by James V. Monaco, with lyrics by Joseph McCarthy. "You Made Me Love You" was introduced by Al Jolson, who performed it in the 1913 Broadway review The Honeymoon Express.

"Bad Ballet"
Written by Tom Schiller.
Host Leonard Pinth-Garnell (Aykroyd) introduces a a "brilliantly bad" ballet titled Swan (not to be confused with Swan Lake). 


Pinth-Garnell himself plays a poultry inspector in the ballet.  


Movie:"Night Of The Moonies"
Two deprogrammers (Aykroyd, Garrett Morris) try to save a teenage girl (Duvall) from Rev. Sum Yung-Moon's Unification Church, AKA moonies. Unfortunately, Rev. Moon (Belushi) shows up and attempts to convert the deprogrammers into moonies.  


Joan Armatrading:"Down to Zero"
The musical guest sings "Down to Zero," the leadoff track on Armatrading's self-titled album. It was released as a single but did not chart.


"Steakhouse"
Written by Marilyn Suzanne Miller.
At a steakhouse,  a man (Aykroyd) and his wife (Duvall) argue about the amount of time and money the husband spends on his customizing his van while he refusing to buy her the soundtrack to A Star Is Born


Goodnights:
Duvall appears at homebase and says "Bye, I really enjoyed it, thank you!" The cast joins her onstage and the credits roll.



Notes about this episode:
I should mention that this episode features one of the oddest cold openings I've ever seen on SNL. John Belushi delivers the "Live, from New York" opening on a monitor in the background of the opening sketch, while the sketch continues. The opening credits are also displayed the background. 

Between "Continental Men" and "Weekend Update," the camera shows Chevy Chase seated in the studio audience. 


Speaking of Chase, at the beginning of "Weekend Update," Jane Curtin is seen talking on the phone.  She says "Oh, come on, give me a break. I mean, so the guy has his special — does that make him a star? Okay, yeah, granted the ratings were good but he followed Richard Pryor! Richard Pryor’s wonderful! Who’s gonna get up and turn the TV off when they’re laughing?" Curtin is referring to Chase's first TV special, The Chevy Chase Show, which aired after a Richard Pryor special earlier that week.

John Belushi sings "Jailhouse Rock" in "Viva Las Vegas II." He later performed the song in the Blues Brothers movie, which was released 1980. 

The "Brides" home movie includes a brief appearance by actor/monologist Spalding Gray.


Ephemera from this episode:
While researching this episode, I found this ad in the May 14, 1977 of  Billboard that promotes Joan Armatrading's SNL appearance:


And this Sam Goody ad (published in the New York Times on 5/15/1977) also mentions her performance:

What stands out:
"Video Vixens"-I enjoyed this rock n roll number from Duvall and "the girls," particularly the lyrics that reference their recurring characters:
Gilda Radner: Baba Wawa makes you feel so good!
Jane Curtin: “Update” makes you happy like I knew it would!
Laraine Newman: When I’m Sherry, you just want me to do it twice! 



"Bad Ballet"-my favorite installment of "Bad" so far. The bad dancing is hilarious and Leonard Pinth Garnell's participation in the ballet kicks it up a notch from the 
"Steak house"-this is another great "slice of life" semi-serious sketch that features excellent performances by from Duvall and Aykroyd.  

What doesn't work:
During The Duane Bobbick PSA, Bobick says "a better-educated black man is a weaker opponent." I realize this fake ad is making a statement about poverty and how boxing is a way out of it for Black men, but that sentence hasn't aged well. 


J.A. Morris' rating:
I enjoyed this episode and Duvall fits in pretty well with the Not Ready For Prime Time Players. The cold opening, "Video Vixens" and "Bad Ballet" make it worth watching and none of the other sketches are bad either.









3 stars.